“This is a great example of the classic GGP ethos of taking inspiration from the electronic music world and using that on acoustic instruments. The new electronic elements which we’ve incorporated into our setup never felt like they were struggling for space or feeling like they needed to be included on a track just for the sake of it. When we did include them, they naturally found their place between the piano, bass and drums but sometimes, as in the case of this track, they were just a means to an end, a useful tool when writing and a way of reaching ideas we wouldn’t have found if we hadn’t experimented with them in the first place,” explains Chris Illingworth.